"Here Comes the Boom" Review

When one thinks of Kevin James, you get the image of a comically overweight mall cop with a goofy mustache riding around on a segway, or a lowly oaf taking dating advice from zoo animals. I personally have not liked anything the man has touched since "The King of Queens" was cancellled. Yet Here Comes the Boom, while not particularly funny, was surprisingly touching.

James plays Scott Voss, a lazy out-of-his-prime Biology teacher. When his school is forced to make budget cuts, they threaten to rid the school of it's music program and teacher (Henry Winkler). Not wanting to see his friend out of work, Scott does everything he can to raise the necessary funds. When he runs out of ideas, he is inspired to step into the MMA ring using his college wrestling skills.

The jokes aren't very numerous, yet the film has remarkable physical humor. When Kevin James gets layed out flat in his first match, I admit that I found it hard to not to giggle. The writing was nothing special, but it is considerably better than anything out of "Team Sandler" in the past few years. The characters are not exactly well developed when you get to the end, however, the overall touching nature of the plot makes up for it.

Kevin James isn't anyones Marlon Brando, yet he brings a certain amount of charm to the film. He isn't over the top ridiculous, but his comedic talents blend well with the physically demanding challenge of this role.

Salma Hayek is as lovely and passionate as always. She brings a good amount of common sense to absurd situations. However, she never really feels like the right romantic match for Kevin James. Their chemistry is very imbalanced.

Andrew's Standout for this film would be Henry Winkler. As with most of his recent roles, there is a certain amount of goofiness to his character. However, there are moments when he is fully focused and spouts the "Fonzie-esque" wisdom that we all love and grew up with.

All in all, I would redbox this movie. While it's the worst thing you'll see, there are better movies to pay full price for.

B-

"Taken 2" Review

It has been said before that Liam Neeson is the "thinking man's" Chuck Norris. I agree with that in the sense that movies starring Neeson tend to be deeper, emotional, and contain actual acting. However, Taken 2 has all the elements of a Chuck Norris film.

Taken 2 picks up where the original movie left off. Bryan Mills is keeping closer watch on his daughter Kim than ever, and getting closer to his wife ex-wife. However, a trip to Istanbul goes awry when the families of those Bryan killed enact revenge. They kidnap or "Take" Bryan and his ex-wife and make a move for Kim. This doesn't bode well as Mills does "what he does best."

The plot is nothing more than a rehashed version of the first film set in a different country, or as I like to call it "The Hangover Syndrome." It brings Liam Neeson to Stallone territory. The film has little more to offer besides impressive choreography. There is little to no character development or growth. It is almost as though the characters learn nothing from their experiences, and will go on in a cycle of similar events in the future. Even Bryan Mills acknowledges this in the film, and seems to dread the inevitable Taken 3.

What they did impove upon this time around is choosing to have a central antagonist, rather than choosing brigades of Albanians to attack throughout the film. It adds a sense of accomplishment and brings round full circle.

I can't blame Liam Neeson for the films shortcomings, for the same reason you can't blame Ahmed Best for the poor quality of Jar Jar Binks. When an actor is given poor writing, they can only do so much to make a film worth while. Neeson lays all of his cards on the table and brings a certain amount of emotion to the character. However, like most shooting gallery films, there is very little acting required. Neeson is a good example of an action star with true dramatic talent, like Bruce Willis. Unfortunately, it is wasted here.

All in all, Taken 2 is what you can expect it to be. If you're looking for a good time to just relax your brain and just watch, by all means, go. Just be willing to overlook te flaws of the film.

C+

"The Master" Review

Well, it comes every year, and I enjoy every minute of it. Awards season. The films that make us put away our soda-helmets we wore while cheering on The Avengers and Batman, and have us put on our thinking caps.

Am I saying that all Oscar bait is boring? Absolutely not. Quite the opposite. If anything, these films make us re-evaluate our own lives and better ourselves. They are often the more memorable films from a year. They are so well crafted, and full of sub-text, that you grow as a person for understanding it.

The Master is no exception, it stars Joaquin Phoenix (For the life of me I have no idea how to pronounce his first name. No judging me, please.) as Freddie Quell, a violent World War II veteran who uses his alcoholism as an escape for his troubles when trying to resume his after the war. He soon meets L. Ron Hubbard Lancaster Dodd, (Philip Seymour Hoffman) the founder of a new, unconventional religon known as Scientology "The Cause." Dodd sees potential for growth in Freddie, and takes him under his wing as his protege, despite protests from his wife (Amy Adams) and the rest of the cause.


The film is surely to receive Oscar nominations for its superior cast. Philip Seymour Hoffman takes the writing of Paul Thomas Anderson, and turns it into a performance he can call his own. His thinly veiled cariacture of L. Ron Hubbard is remarkably well embodied. At times he seems to be a charismatic fellow, who wants nothing more than to help people. Yet conversely, at other times the sense of self-doubt and possble fraud comes to the surface and conveys it's dark and unsettling nature. He shows a wonderful range from all ends of the spectrum.

Joaquin Phoenix gives his all with his portrayal of the disturbed loner who everyone can relate to at one point in their life. He has the little ticks and quirks that make him unique, and fully engrossed in his acting. Whether its the way he holds his arms on his waist or the subtle squint in his eyes when talking to someone, you never feel like you're watching an actor in a movie, you feel taken into his world. His emotion rages from his body when he is upset, and the intensity of his conditions are presented in full technicolor. Nothing held back.

What really took me through a loop with this movie was the performance of Amy Adams. Normally, the good girl, soft-spoken, here she is somewhat terrifying. At the beginning, you get the normal vibe from her, yet as the film goes on, you realize she is not one to be taken lightly. I shall say no more, other than it is a superb step in her career.

The story could have tackled scientology head-on and been a biography, yet the dramatization is a much more creative touch. If all you know about the religion is from the controversial "South Park" episode, you will still be able to get a sense of what it is all about. The film doesn't boast it's religous undertones like a logo in the corner of the screen, and it is for the better. You become entranced in story of one man's struggle rather than a pamphlet of someone elses beliefs.

I highly recomend this movie to anyone who wishes to do some higher thinking, yet at the same time, I would wait until it comes to a theater closer to you.


A-